My Dad the Bounty Hunter Season 2 Spoiler-Filled Review

My Dad the Bounty Hunter is a coming-of-age animated sci-fi adventure series by Everett Downing Jr. and Patrick Harpin. It is a continuation from the first season, which came out in February. It comes at a time when Black-centered animations are blossoming. This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, My Dad the Bounty Hunter, being reviewed here, wouldn’t exist.

The second season of My Dad the Bounty Hunter picks up where the last one left off. Sean (voiced by JeCobi Swain) tells a story about his space adventures in class. Lisa (voiced by Priah Ferguson) acts like know-at-all to her science teacher. She declares that their dying planet and slow technology growth will ensure that outer space exploration is impossible. Their mother, Tess (voiced by Yvonne Orji) comes to school, learning that the school administrators see Sean as a genius, but they see Lisa as a problem student. She talks to her husband, Terry (voiced by Laz Alonso), who is working at a shoe store, telling him they shouldn’t keep secrets. Everything goes awry when a bounty hunter captures him, which she, Sean, and Lisa see, traumatizing them.

And that is only the first episode. This season throws you right into the action with new characters like Blobby (voiced by Patrick Harpin), a scammer extraterrestrial who was once captured by Terry in his bounty hunter persona of “Sabo.” Later, Tess puts herself, and her kids, in danger. She travels in Glorlox’s stolen ship to a nearby prison. She hopes that Terry is imprisoned there, while there’s an active bounty on her head. There are typical sci-fi elements like space warping and laser battles. Scenes in the space restaurant Bucky Quantos and A.I. like KRS (voiced by Yvette Nicole Brown) enhance this. The quick action and exciting plot make the series even more engaging. It draws you into the animation, by Dwarf Animation Studio, which has a smooth 3-D style.

The Conglomerate, officially known as Endless Horizons Conglomerate, are still the villains. With the death of The Fixer in the first season, Pam (voiced by Chelsea Peretti) is the organization’s new CEO. However, there is a twist. The Conglomerate is not holding Terry in their prison. Pam claims to investors that the Conglomerate is trying to become “socially conscious.” She boasts about reported rehabilitation of criminals to make them “productive” corporate slaves. She further champions the new food options at the ever-popular Bucky Quantos restaurant. The Conglomerate’s changes ensure the restaurant is no longer a “glorious palace of meat and grease and cholesterol,” as one character puts it. Instead, Pam declares that Conglomerate will connect people, and the universe, with warp gates. She is assisted by robot enforcers, such as Beta (voiced by Mara Junot), who calls Pam “the Creator.”

This series reminds me of Okja. The 2017 film mixes the science-fantasy and action-adventure genres. Directed by Bong Joon-ho, also known for Parasite and Snowpiercer, the Mirando Corporation are the villains. The corporation has a similar goal to the Conglomerate. They plan to raise genetically modified super pigs to sell meat to the masses. However, when they kidnap one pig, Okja, its owner, Mija, a young South Korean girl, tries to get it back. She is helped by an animal liberation group to rescue Okja. The group plans to reveal the corporation’s misdeeds to the world. Obviously, My Dad the Bounty Hunter is different from Okja, which focuses on the horrors of the food industry. Both have a strongly anti-corporate message even as they are on the streaming platform of Netflix, a conglomerate of its own.

Coming back to My Dad the Bounty Hunter, the second season shares similarities with space operas in the Star Wars franchise, like the third episode. In that episode, the fissures between the family members come to the surface. For one, Sean and Lisa can’t enter the casino because they are kids. Only adults are allowed in. Secondly, Tess admits she grew up in constant danger when she was younger but doesn’t want to talk about it, making Lisa suspicious. Thirdly, Sean begins to bond with Blobby, and Blobby with Lisa. She gives him tips on playing galactic poker. The episode hints at what is to come. The Widowmaker (voiced by Ralph Ineson) reveals that the Doloraam High Council kidnapped Terry. This terrifies Tess, confusing Sean and Lisa as to her reaction. She is implied to be non-human.

The third episode was also the first time I had laughed during the season. The mother of Philip, a cat-faced creature, embarrasses him. She forces him to apologize for insulting Tess. It is moments like that which make me like the series even better. However, at other points, dramatic elements are more emphasized than the comedic ones.

The fourth episode continues directly from the third. The Afrofuturist themes come to the fore. This season is more Afrofuturist than the first season. The Doloraami royalty are revealed: Emperor Odoman (voiced by Adewale Akinnuoye-Agbaje) and Empress Gurira (voiced by Janet Hubert). Odoman towers above Terry on the coliseum floor and conducts the trial against him. Terry gets a sleazy public defender named Ja Boluu. Boluu’s voice actor, Godfrey, previously voiced Kofi in Steven Universe. Kofi is a stern, and somewhat authoritarian patriarch, of the Pizza family in Beach City, and owner of the family business. While Boluu is different from Kofi, there are other comparisons between Steven Universe and this series.

In both series, the protagonist is on trial. In Steven Universe, Steven is on trial for his mother’s crimes (killing a Diamond). He is accused of being his mother because of the pink diamond in his belly. (Blue) Zircon defends him. She finds a flaw in the Diamonds’ case. She accuses them of being complicit. As a result, Yellow Diamond poofs her. The trial in My Dad the Bounty Hunter is quite different. Emperor Odoman charges Terry with spacecraft theft, assaulting a royal guard, and abducting Sa Janeera, princess of Doloraam. Also, his public defender has wronged many people.

As it turns out, Tess is Sa Janeera. Terry acts surprised, but likely knew already. Unlike Steven in Steven Universe, who barely escapes the all-powerful Diamonds, Terry goes through tribulations of fire to annul his guilty sentence. The pompous B’Caala (voiced by Keith David), a Prince-like cat man who desires political power, tries to make a deal. He suggests that Terry narc on Tess. He refuses. Terry loves and cares about her. This refusal shows his loyalty to her.

Viewers who watch this series may see similarities to Black Panther and Black Panther: Wakanda Forever, which have Afrofuturist themes. However, Africanfuturist animations like Kizazi Moto, or futuristic elements in Supa Team 4 are more apt. Black Panther has been criticized for embodying police habits and tendencies. Some have said it sanitizes “cop behavior and brand it as heroism.” In contrast, the main characters in My Dad the Bounty Hunter, like Tess and Terry, are on the run from bounty hunters. They are the furthest thing from cops. This series doesn’t have copaganda, even though the Kingdom has a retributive justice system.

One of the major themes in My Dad the Bounty Hunter is the importance and value of family. Those ties are tested in this season. Lisa is annoyed that Tess is keeping secrets from her. She ignores Sean’s warning about not knowing the full story. This comes to a head in the fifth episode. Adja (voiced by Thando Thabethe) claims Tess made the “wrong” choice in leaving Doloraam. Although this is hurtful, it is nothing compared to Beta kidnapping Lisa and Sean. Tess loses it. She is paralyzed, unsure of her next steps. The credits further emphasize this by not having a music track. This encourages audience members to sympathize with Tess.

These themes mesh with Sean and Lisa’s connections to their Doloraami roots. Tess also unlocks her long-forgotten Doloraami powers, allowing her to defeat Beta. Interlinking to one’s ancestral identity is not unique to this series. For instance, the Kizazi Moto episode/films “Mkhuzi: The Spirit Racer” and “Hatima” emphasize similar themes, as does the lackluster episode/film “First Totem Problems.” Similarly, Carmen Sandiego, in the series of the same name, investigates her Argentinian roots in an important sub-theme of that series. In addition, Amphibia and The Ghost and Molly McGee incorporate Thai culture into the storylines, with the protagonists examining their parentage and ancestry.

Like other nations in Black speculative fiction, Doloraam has independence to make its own decisions. Pam detests this. It puts her plan to seize the planet’s crystals, known as Kalatite, in jeopardy. Like in the Kizazi Moto episode/film “Herderboy,” with herding of cattle to gain crystals, to power their society, the Kalatite crystals are the foundation of their society. They are sacred and have been in hands of the Doloraami people for generations. It makes sense that the Conglomerate would work with B’Caala in hopes that the royal council will agree to the Conglomerate’s terms. Even though the council is unaware of B’Caala’s treachery, they are rightly skeptical of the Conglomerate. They worry whether they will be kings or if the Conglomerate will have control instead.

The Conglomerate doesn’t put all their eggs in one basket. Pam develops a plan which aims to achieve the Conglomerate’s goals. There is a huge demonstration of the “good” that can come from warp portals. This does not convince the royal council. As a result, Pam later grumbles that she is tired of being nice. This implies that she will soon show her “true” nature. Her expression changes after learning that Sean, Lisa, and Tess are royalty. She believes that returning them to Doloraam will cause the royal council to vote in favor of the Conglomerate. This is a major miscalculation.

Odoman and Gurira are glad to see Tess, and meet Lisa and Sean. Terry is freed, after Tess confronts her parents about his kidnapping. B’Caala is tossed aside like a used dishrag. Pam says that because she brought back Tess, she doesn’t need him. To make matters worse, his tribe no longer recognizes his sovereignty, after he beats up Terry in a fight. His removal from the royal bloodline dashes his attempt to seize political power. B’Caala is further crest-fallen by Tess’s marriage to Terry.

Pam cares little about B’Caala. She only wants the deal with the royal council so she can exploit the citizenry, like any imperialist. She does not want to get involved in leadership squabbles. The royal council gives Pam a container with gold bars for her trouble. At the same time, they reject the Conglomerate’s proposal. Gurira says that they cannot, “in good conscience,” accept it. She argues that the Kalatite crystals are part of the Kingdom, as are the people and their family. The Conglomerate’s real plan manifests itself at the end of seventh episode. Their full-scale invasion almost resembles tactics of the Galactic Empire in the Star Wars franchise. The latter wants order and stability, while cracking down on any who disobeys.

The season’s last two episodes involve the struggle against the Conglomerate. It is revealed that Doloraam is not defenseless. A shield protecting the city is activated, as are cannons to fire at invaders. An arsenal of weapons is also revealed. During this fight, Lisa connects with the Kalatite. She fights alongside Adja in the city, calming Tess’s worries. Blobby and Sean work together to shut down the portal which is providing the Conglomerate with additional forces for their assault. In a scene akin to an Imperial cruiser falling toward Ryloth, in the Star Wars Rebels episode “Homecoming,” the portal’s closure slices a Conglomerate ship in half. The end is near. Despite this, Pam desperately attempts to finish the plan, at any cost.

The final episode of My Dad the Bounty Hunter wraps up everything, almost too nicely. The robots accelerate their extraction of Kalatite crystals. Pam has not learned the lesson that Elena (in Elena of Avalor) and Lunella Lafeyette in Moon Girl and Devil Dinosaur made abundantly clear: speeding up the timeline only leads to disaster. Glorlox and his crew give a helping hand, as does B’Caala. He informs Tess about Pam’s location. In a conversation with her, he reveals that he wanted to rule the planet, not see it destroyed. Following this is a great hand-to-hand combat scene between Pam and Tess. She pulls out Pam’s neural link, implying that the ship she was piloting the ship remotely, like the robots. Of course, this isn’t the end.

Tess fights Pam in a battle in a creepy swamp. The true form of Pam is revealed to be a huge alligator-like monster. Tess barely wins the battle. She is heavily injured, and Terry, Sean, and Lisa save her just in time. The fast-forward that follows is typical of many animations, either films or series. Kipo and the Age of the Wonderbeasts had one in the final episode as did Nimona in the end of that film.

The fruits of their victory are apparent. Tess (wearing boots made from Pam’s skin) hangs out with her family, her mother (voiced by Leslie Uggams), her friend Adja, and other compatriots on Earth. Everyone bonds. Lisa agrees to show Adja (who has a crush on Glorlox) around Earth. Blobby works with Sean to turn his story into a movie. There is a good, but untrue, quip from Blobby about how “all the good books” get turned into movies.

The series ends on a slice-of-life note. All of them play football together. However, a cliffhanger post-credits scene, which shows a warp gate activating, and a ship passing through, hints at a possible continuation. However, a lack of continuation for My Dad the Bounty Hunter would not leave fans hankering for more, as they do with High Guardian Spice, which has which raises more questions than answers. While the central conflict in the final episodes ended too quickly, the second season finale is perfect. I’m afraid that having another season would ruin that ending for fans and others alike.

In my season one review, I noted that the series impressed me. I described the animation and voice actors as top notch, praised the music selection, and noted that many voice actors were well-known. I also compared the series to episodes of Dogs in Space, Cleopatra in Space, Star Wars: The Bad Batch, and contrasted it with more mature themes in Helluva Boss and Invincible. Those insights still ring true. New characters like Blobby bring more humor to the series. Joshua Mosley’s score for the series, often including rap or hip-hop music, can make you excited to watch more.

The voice actors of My Dad the Bounty Hunter are a diverse bunch. JeCobi Swain has been in the entertainment industry since at least 2016. He has voiced characters in Eureka! and Firebuds. In contrast, Priah Ferguson, well-known for her role in the 1980s nostalgia trip Stranger Things, voiced Bailey in the subpar animated series, Hamster & Gretel. Yvonne Orji has range as evidenced by the fact that she also voices Gigi in Velma.

Laz Alonso has worked in the entertainment industry since early 2000s. His voice role in this series is one of his first voice roles, apart from some characters in Robot Chicken. Patrick Harpin, who is also this show’s creator and a storyboard artist, provided his voice to characters in two Hotel Transylvania films. Yvette Nicole Brown has been very prolific in her voice acting. Brown voiced characters in Strange Planet, The Ghost and Molly McGee, Dogs in Space, Fairfax, and many others.

Voice actors Chelsea Peretti, Mara Junot, Adewale Akinnuoye-Agbaje, Janet Hubert, Keith David, Thando Thabethe, Leslie Uggams, and Ralph Ineson are just as talented as those previously listed. This series also features Venice May Wong (also called Venice Wong) as Halvey, a friend of Sean and Lisa. Apart from her role in this series, Peretti recently voiced Queenie in Adventure Time: Fiona and Cake. Junot voiced Shoola in Arcane. Akinnuoye-Agbaje is known for providing his voice for Bilal in the film Bilal: A New Breed of Hero. David has voiced characters in Firebuds, The Proud Family: Louder and Prouder, Final Space, DuckTales, and Young Justice. In contrast, this series is one of the first voice roles for Hubert, Thabethe, Uggams, Ineson, and Wong.

The show’s cast is stellar, making the characters more relatable. The series is geared toward a Black audience and designed for families. This can draw people in, even those who prefer 2-D animation over 3-D animation. Those who watch it may connect with the messages, social commentary, or other aspects. They may also enjoy the show writing of Harpin, Downing, Justin Gordon-Montgomery, Shakira Pressley, Ryan Harer, or Tomi Adeyemi.

Gordon-Montgomery previously directed episodes of DC Super Hero Girls and storyboarded High Guardian Spice and Rapunzel’s Tangled Adventure episodes. Pressley wrote for Craig of the Creek. Harer was a script coordinator for Centaurworld and Middle School Moguls. Adeyemi is a Nigerian-American writer best known for her Legacy of Orïsha trilogy of young adult fantasy novels, which have Afrofuturist themes. All these people comprised the majority-Black writers room for the series.

Overall, the series is fun to watch. It is almost as fun as some Cleopatra of Space episode. In my season one review I said that series was unique and shined. I described it as “not my favorite series ever.” In contrast, I enjoyed the second season even more. There are many more series to compare it to now than there was in February. My predictions that the series will explore more about family dynamics and conflicts proved correct, as did the portrayal of a “loving Black family.”

However, Lisa did not have a boyfriend or a girlfriend in this season. In fact, neither Lisa nor Sean had romantic connections to anyone else. I think this is purposeful. In fact, Sean cares more about the fate of Beta, and the control she has over her body, than any person, apart from his family and friends. Sadly, the dearth of fan fiction for this series on AO3 or Fanfiction.net makes views of fans on this subject unknown.

As I say with every show that drops on the same day, I would have preferred 1-2 episodes of My Dad the Bounty Hunter air every week. The same “binge” model has been followed for Kipo and the Age of Wonderbeasts, Supa Team 4, Carmen Sandiego, and latest season of Disenchantment. Hopefully, future series will follow the lead of anime and release only one to two episodes per week.

I liked the emphasis on storytelling, as shown through Sean wanting to tell his own tall tales, and trying to be true to himself. The latter has a parallel in Blobby reuniting with his other half in the sixth episode. It echoes how Steven Universe reunited with Pink Steven in the Steven Universe series finale, “Change Your Mind.” Watching this season was worth it. I was glad I did so because this season is more Afrofuturist than the first season, as it addresses concerns and themes of the African diaspora through its speculative fiction and technoculture.

I’m glad I remembered that My Dad the Bounty Hunter even had a second season because I only was reminded when reading social media posts from fans about it. Unfortunately, mainstream reviewers seem to have ignored the second season‘s release. Despite the fact there are reviews out there, an online search indicated that major sites like The A.V. Club, IGN, Los Angeles Times, CBR, and The Hollywood Reporter have not penned reviews for the show’s second season. I’m not sure the exact reason, apart from unconscious racism, but it does this show a disservice in many ways.

At present, the series is on hiatus. Its fate has not been determined. Fans on social media have praised the series as awesome, fun, sweet, beautiful, incredible, and enjoyed the attention to detail. Netflix also deserves criticism for not marketing the series, leaving that job to the fans and creators (and crew). It is a clear insult. On the other hand, the release of this series shows that original stories matter.

My Dad the Bounty Hunter comes out at a time that negotiations to end the strikes of writers and actors are ongoing, with no agreement in sight. Wildbrain’s workers have said they are moving to form a union and the animation industry is under strain, with work drying up and studios cutting back on employment. Dwarf Animation Studios is not mentioned on a recently-circulated spreadsheet noting conditions within animation studios. Some reviews on Glassdoor were positive, describing it as having a good company culture. Others noted it can be disorganized or were more critical.

It is not known if Netflix will renew the series for another season. This series comes at an apt time, since many other Black animations are being released nowadays. It is worth checking out, despite Netflix’s lack of promotion and mainstream reviewers completely ignoring the second season’s release.

My Dad the Bounty Hunter can be streamed on Netflix.