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I remember that, years ago now, when I watched the pilot of Andor, I had pretty low hopes for the series. After all, I hadn’t been a big fan of Rogue One. I felt there had been precious little character development in the film and I didn’t care all that much about the characters as […]
Well, for my money, those were the finest three hours of Star Wars in the history of the series. From watching the destruction of Ghorman to the rise of Mon Mothma as the leader of the Rebellion to the collapse of two central relationships within the series, so much of what occurred in this three-episode […]
Out of our initial two batches of episodes in this final season of Andor, this triptych was the weaker of the two, spending most of its three hours laying the groundwork for what is likely going to befall Ghorman – and reverberate out and impact all of our characters – in the coming episodes. However, […]
A bit of housecleaning before we get into the review of the first three episodes of Andor’s second, and final, season. When it was first announced that these twelve episodes would be released in a set of four triptychs, I wasn’t sure just how I would cover them. And while I will decide with each […]
Over forty-four years ago, on September 3, 1980, the series finale of the now-classic Rose of Versailles, entitled “Adieu, My Beloved Oscar,” aired on Japanese television. It depicted revolutionary leader Louis Saint-Just telling an assembly of Frenchmen, in 1792, that “the King’s own existence is itself an unforgivable crime” and “The King is the crime!” […]
Now that was the kind of episode I’ve been waiting for over this last uneven string of storytelling. Sure, it was the finale so the series was able to really pull out all the stops (and definitely blew its CGI budget), but this was a series (season?) finale that managed to pull together the remaining […]
If I could have one wish in this new year, it would be that all television series start treating their episodes like actual episodes of a TV series and not just a single act break in a longer film. Because man was I annoyed at the close of this week’s episode – the penultimate episode […]
This week’s Skeleton Crew didn’t skimp on the CGI set pieces (that escape of the ship from the jaws of the techno crab metal crushing thing was pretty cool to see), but it excelled in an area that the series has been lacking in past installments: focusing on the interpersonal character beats at the heart […]
At this stage of the game, I think it’s safe to say we’re going to be getting more of the “ten hour movie” episode treatment (or in the case of Skeleton Crew, the eight hour movie treatment) rather than the “this is a television series, so episodes are actually self-contained stories being told in service […]
One of the things I really don’t like about the bulk of the recent Star Wars television shows is their penchant for ending an episode at what feels like a commercial break and not the natural stopping point for an episode of television. My guess is that this habit – of which Skeleton Crew was […]